www .mediafire. com/file/tcl80rkfsasn73d/InShot_20221008_141002219.mp4/file

MXR DC Brick Power Supply.

And effects stomp pedals.

Oceans 11 Digital Delay is awesome, possibly my favorite pedal.

The Behringer Vintage Delay is a dirt cheap pedal, made of plastic BUT IS n exact clone of the BOSS DM3 discontinued in 1988. Literally exact, Behringer is not just a knock off guitar pedal company, they make the circuits that go into pedal, “Bucket Brigade” circuitry. They make it, it’s annexact clone and an awesome classic effect.

Electro Harmonix, Eddy Vibrato/Chorus is also newer model. Classic analog Bucket Brigade again, 2 awesome modulation effects with a lot, almost too much control, in one pedal. Technical is cool, but something like MXR Micro Chorus, or Electro Harmonix Neo Clone have a single dial, maybe a switch and they sound awesome. BUT the EDDY was relatively inexpensive when I bought it, so alright. Technical it is. I love Chorus and I love Vibrato.

MXR Phase 90, is a classic stomp effect, maybe one of the first. Classic, from the 1970’s, 1974 specifically. While this one is not wired exactly the same as the 70’s, it’s wired and sounds slightly different, IT IS the same as a 1980’s Phase 90, possibly late 70’s. With the addition of adapter compatibility. Classic. Eddy Van Halen used the Phase 90. He has a signature MXR Phase. I only paid $90 Canadian for this on sale last year around Christmas. I think after Christmas.

Fender Hammertone Flanger is amazing. Seems built well, with plenty of adjustment features. All you could ask for in a flanger. My only gripe is the placement of the inputs and output on top.

Then The Boss SD1 Super Overdrive is another crazy classic. Loads of guitarists play and have played this pedal. It’s old school. And cheap too. Awesome. Very cool OD pedal. This one is the anniversary edition from last year. It’s normally yellow with black writing.

And then another (sort of) classic MXR Super Comp. It’s basically the classic Dyna Comp from the 70’s but with the addition of the ATTACK dial. So if you crank that down to 0, it’s a Classic Dyna Comp. Compressor when used properly, with the right gear, and sound is the Clicky Twangy Sound in Country. It can be used many ways, but that’s what it is. A Compressor levels out the volume of each individual string makes louder quiet, and quiet louder, and increases sustain. It slightly increases the volume of a dieing string to keep it sustaining. Probably works best with the single coil sound of a Fender. The Super Comp has a cool physical feature I found by accident of glow in the dark markings.